Thursday, 12 January 2012

A view of Britain from a Great British comedic personality


When 30 years ago I resurrected Flashman, the bully in Thomas Hughes's Victorian novel Tom Brown's Schooldays, political correctness hadn't been heard of, and no exception was taken to my adopted hero's character, behaviour, attitude to women and subject races (indeed, any races, including his own) and general awfulness.

On the contrary, it soon became evident that these were his main attractions. He was politically incorrect with a vengeance.
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Gloriously politically incorrect: Flashman, the rogue 'hero' of Fraser's novels
Through the Seventies and Eighties I led him on his disgraceful way, toadying, lying, cheating, running away, treating women as chattels, abusing inferiors of all colours, with only one redeeming virtue - the unsparing honesty with which he admitted to his faults, and even gloried in them.
And no one minded, or if they did, they didn't tell me. In all the many thousands of readers' letters I received, not one objected.
In the Nineties, a change began to take place. Reviewers and interviewers started describing Flashman (and me) as politically incorrect, which we are, though by no means in the same way.
This is fine by me. Flashman is my bread and butter, and if he wasn't an elitist, racist, sexist swine, I'd be selling bootlaces at street corners instead of being a successful popular writer.
But what I notice with amusement is that many commentators now draw attention to Flashy's (and my) political incorrectness in order to make a point of distancing themselves from it.


Read more: http://www.dailymail.co.uk/news/article-506219/The-testament-Flashmans-creator-How-Britain-destroyed-itself.html#ixzz1jFLf6zFR

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